「創作可塑性源自於生活」，服裝是由微小單位粒子「布」透過重構、解構逐步體現人想法的一種方式。視覺帶入台灣碧華街的「布」作為畫面圖像基礎，並將其中豐富的文化、質地淬煉而出，帶入「積木」粒子作為意象，圖像彼此間相互交織，象徵其兼具「可塑性」，皆經由人的想法賦予生命，賦予契機。

視覺畫面中每一個圖形分別代表單一粒子，單一粒子彼此相互成形、相互堆砌，終將集結而成，成為畫面的體現，同時也回歸於展覽本身，每一位創作者藉由重整、消化才賦予創作生機，才得以使本次展覽百花齊放，具有真正綻放的可能。

「布」為我們此次展覽創作者的根源，同時也是我們心中對於創作的那份純粹，也是其使我們具備「可塑性」。

“The plasticity of creativity comes from life." The production of costumes is a way to reflect people's ideas step by step through reconstruction and deconstruction of the basic particle, "cloth.” Consequently, fibre and textiles can also be used to express concepts, energy and emotions. The cloth from Bihua Street in Taiwan is used as the main visual of the picture image, and its rich cultural meaning and unique texture are refined out of it. The image of “building blocks” is also brought in. Two images are intertwined together, symbolizing the “plasticity,” through which ideas grant life.

Each figure in the picture represents a single particle. Every single particle completes and constructs with each other; eventually, they gather to become the embodiment of the whole picture, and simultaneously refer back to the exhibition itself. Only by endowing the creation with vitality can a hundred flowers bloom in this exhibition, attaining the possibility of truly blooming.

"Cloth" is the root of this exhibition, and it is also the purity in our hearts towards creation, which makes us “plasticity.”